Saxophone pentatonic scales

Wonderful — you answered some questions that have been nagging me today. Audio 4 As above illustration clearly shows, the Blues scale is the minor pentatonic scale with one note added , the b5 forming the tritone: The line over the Cm 7 5 is E minor pentatonic. They greatly increase your technical facility and knowledge of each scale. They form an uninterrupted string of Overtone No.

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It also includes advice for a good play technique for this scale. That is to say, when you start a major pentatonic scale on its fifth note, the result is a minor pentatonic scale:. Here is Cm 7 5 to F 7 alt, resolving to B m.

Ear test 19 - 8 scales: This is very often the case in big bands where a whole section the brass or the saxophones play a background riff in harmony. Second, the root is a note that someone else is very likely playing.

Pentatonic & Blues Scales - SAXOPHONE LESSONS IN SANTA ROSA, CASAXOPHONE LESSONS IN SANTA ROSA, CA

I wish I had a good suggestion for you for introductory materials, LeRoy. Related scales have their tonic notes 3 semitones a m3 apart. Once you have mastered these, try to incorporate them in your improvisation. The sound may not seem very useful as is because the example vamps statically over the chord.

Scales therefore represent the resource from which new melodies and chordal harmonies are created. As collections of notes, standard pentatonic scales are all identical; they differ only with regard to transposition and which of their five notes we consider the root. Here is our same random pentatonic line transposed from C to G, over the C accompaniment:.

Saxophone/Improvisation, pentatonic and blues scales

A couple years ago I noticed that the 5 notes of the chromatic scale which are not included in any given major scale form a major pentatonic scale.

Saxophonf you can help Thanks Glen. Lots of great theory here! Here we have flattened the five in the accompanying C minor chord to accommodate the G in the pentatonic line—making it a Cm 7 5 half-diminished chord.

From Wikibooks, open books for an open world. These patterns are pentayonic useful. What do you see? Here is our same random pentatonic line, this time transposed from C to D:. There are no semitones in this scale.

Does this sound have any use? Views Read Latest draft Edit View history.

Compose your own blues riffs for the Blues in the keys of F and G. When you are comfortable playing the scales straight up and down, practice each scale also in patterns. I am a hobbyist.

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It is the second mode of the B pentatonic scale:. In addition to the C pentatonic there are the F and G pentatonics:. What happens if we go one notch darker still?

But that is the same as the C major pentatonic, which is to say that it contains E, the major third, and no E. In the F pentatonic scaleE, which is the brightest note of the C pentatonic, is replaced by the darker F. Here is a C major scale:. Policies and guidelines Contact us. Click here to cancel reply. Unlike non-sus dominant chords, sus chords are terrific for using pentatonics. Backing tracks are included in the Lesson Material.

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